Resonance features an exceptional lineup of contemporary artists whose distinctive styles reflect their recent achievements in the art world.
The artists showcased in this exhibition are renowned for their innovative approaches and have garnered notable recognition through various institutional exhibitions, prestigious awards, and commercial collaborations.

From the pioneering “Rainbow Artist” Ay-O (b.1931, Japan) to the playful pop art of Philip Colbert (b.1979, UK), the lineup underscores Whitestone’s commitment to both established masters and emerging innovators. The show also features Soonik Kwon (b.1959, Korea), known for his signature technique, and the collaborative duo Julie & Jesse (b.1980, Hong Kong / b.1975, USA), whose most recent series is inspired by Chinese scholar’s rocks. Alongside them, Whitestone’s primary artists — Miwa Komatsu (b.1984, Japan), Jiang Miao (b.1981, China), Chen Yingjie (b.1991, China), and Kohei Kyomori (b.1985, Japan) — with their latest creations. Adding fresh energy to the mix, Bao Pei (b.1960, China) and Dai Ying (b.1983, China) make their Whitestone Hong Kong debut, expanding the gallery’s ecosystem of talent.

As Koei Shiraishi, the CEO of Whitestone Gallery remarked, “We have always believed in the power of art to transcend borders and create meaningful dialogues across cultures. I’m particularly excited to present this exhibition, which showcases both the remarkable growth of artists we have long supported, and the fresh perspectives of new talents who have recently joined our gallery.”

Resonance aims to celebrate the unique contributions of each artist while accentuating their growth and potential within the art market. It brings together diverse styles and techniques, creating a rich tapestry of visual dialogues that invite viewers to engage deeply with the work.
Resonance not only showcases artistic talent but also emphasizes the importance of fostering connections within the art community. It aims to spark conversations among collectors, curators, and art enthusiasts, exploring the future possibilities of art.

Art Across Boundaries is a selling exhibition bringing together artworks by more than thirty contemporary artists to raise funds for the Children of the Mekong.

Art Across Boundaries is a multicultural, mixed-media art exhibition featuring the works of more than 30 international and local artists united by a shared commitment to social impact through art.

This edition celebrates creativity that transcends borders. Through their paintings, sculptures, and mixed-media creations, artists explore the transformative power of art to connect people and cultures beyond geopolitical or societal boundaries. Their pieces illuminate personal and collective stories—expressing hope, resilience, and unity through vibrant color and form.
Echoing the mission of Children of the Mekong, Art Across Boundaries reminds us that creativity has no limits. Each artwork serves as a bridge—connecting people through emotion, dialogue, and cultural exchange—while contributing to a brighter future for underprivileged children in Southeast Asia.

Whitestone Gallery is returning to Art Busan. For this 2026 edition, the gallery has curated a group of 12 artists, creating a dialogue between material depth, urban edge, and evocative storytelling.

The fourth edition of Homo Faber Biennial, the international celebration of contemporary craftsmanship, will put the work of craft artists from all over the world in the spotlight through 15 immersive installations staged on San Giorgio Maggiore island, Venice, in partnership with Fondazione Giorgio Cini and Fondazione Cologni dei Mestieri d’Arte.

Es Devlin, Artistic Director of this edition, has collaborated with master artisans throughout her 30-year career and has a deep respect for craftsmanship. For Homo Faber 2026: An Island of Light, she has created a concept that showcases the skills and talents of craft artists selected from around the globe by framing their work with light, a primordial force that is not only at the heart of Devlin’s artistic practice but is also essential to craft, to raw materials and to human life.

The enhancement of human talent through the highlighting – both real and metaphorical – of artisanal and creative work is perfectly aligned with the mission of the Michelangelo Foundation for Creativity and Craftsmanship, a non-profit organisation based in Geneva that launched and implemented the cultural movement Homo Faber to promote master craftsmanship and creativity globally, celebrate its protagonists and increase their visibility.

Inspired by the archipelago of the Venetian lagoon, Devlin has imagined a narrative that unites the work of hundreds of individual craft artists from across the world – each an island of talent and skill within the wider waters of craftsmanship – on San Giorgio Maggiore. Their exceptional objects, selected by the Michelangelo Foundation, will be placed centre stage in a series of immersive installations within the magnificent rooms and grounds of Fondazione Giorgio Cini. By manipulating light through the use of water, mirrors, movement and more, Devlin will create a journey that illuminates the world of craftsmanship, from the craft artists themselves to their workshops, tools, materials and the exquisite objects they create. Together, these spaces will explore the relationship between light, materials, talent and creativity, revealing how master artisans can use this life-giving energy as a tool to create wonder and joy.