We unveiled our latest experimental porcelain project called “Irony” at the Hong Kong Design Centre’s Confluence • 20+ exhibition, a celebration of design talents and creative ecologies of Hong Kong. The exhibition runs from the 6th to the 28th of June 2017 at City Hall, Hong Kong. Here are a few images of the show.
Photo Credit: Marc Progin, Julie Progin & Hong Kong Design Centre
We are proud to be a part of Confluence • 20+, a design exhibition curated by Amy Chow.
“Confluence • 20+” is a multidisciplinary exhibition that offers a perspective on Hong Kong’s creative ecologies. The show presents inspiring collaborative projects by the best design talents in Hong Kong, a city where east and west, tradition and innovation, craftsmanship and technology synergies.
Presented by the Hong Kong Design Centre, Confluence • 20+ isa multidisciplinary exhibition series that offers a perspective on Hong Kong’s creative ecologies. As the third edition of an ongoing exhibition series, Confluence • 20+ is a stage for creative collisions. The show presents twenty truly inspiring collaborative design projects by Hong Kong’s best design talents, lending insights into the co-evolving ecosystems of the city where east and west, tradition and innovation, craftsmanship and technology synergise.
Living in an ever-reinventing and culturally diverse metropolis, the creative minds in Hong Kong have never been restrained by the city’s confining urban space. Through continual collaboration with global practitioners, they add value to materials and objects, leveraging cultural influences and resources from China, Asia and beyond. The exhibits in Confluence • 20+ are coalescences of cross-boundary interactions and intertwining relationships. Deep inside the crux of every single piece is a community woven across socioeconomic and cultural silos.
Confluence • 20+is a visual feast of creative works showcasing Hong Kong designers’ ingenuity in crossing boundaries: East, West, Heritage, Craftsmanship, Artistry, Urban Living, and Experiential Innovation. It is an exclusive visual adventure into Hong Kong’s vibrant creative ecologies that both insiders and public audience must not miss.
Participating designers: Nicol Boyd & Tomas Rosén, Alan Chan, Samuel Chan, Gary Chang, Lu Lu Cheung & Otto Tang, Chiu Kwong Chiu, C.L. Lam, Freeman Lau, James Law, Lee Chi Wing, Lo Chi Wing, Lo Kai Yin, Lo Sing Chin, Sharon de Lyster, Jesse Mclin & Julie Progin, Elaine Yan Ling Ng, Kingsley Ng, Sammy Or, Stanley Wong.
The Hong Kong Design Center is a government-funded non-profit organization celebrating design excellence. The institution champions the creation of business values and community benefits through design. This latest exhibition series is a homage to Hong Kong’s design heritage roots and will sojourn in Milan, Hong Kong, Seoul and Chicago.
Last April we were in Milan to exhibit our Fragment(s) project at the internationally celebrated Salone del Mobile 2017. Our vases were part of the Hong Kong Design Centre’s Confluence• 20+ show, a celebration of the best design talents and creative ecologies of Hong Kong. Here are a few images of the exhibition that took place at La Triennale di Milano.
We are proud to be a part of Confluence • 20+, a design exhibition curated by Amy Chow.
“Confluence • 20+” is a multidisciplinary exhibition that offers a perspective on Hong Kong’s creative ecologies. The show presents inspiring collaborative projects by the best design talents in Hong Kong, a city where east and west, tradition and innovation, craftsmanship and technology synergies.
Presented by the Hong Kong Design Centre, Confluence • 20+ isa multidisciplinary exhibition series that offers a perspective on Hong Kong’s creative ecologies. As the third edition of an ongoing exhibition series, Confluence • 20+ is a stage for creative collisions. The show presents twenty truly inspiring collaborative design projects by Hong Kong’s best design talents, lending insights into the co-evolving ecosystems of the city where east and west, tradition and innovation, craftsmanship and technology synergise.
Living in an ever-reinventing and culturally diverse metropolis, the creative minds in Hong Kong have never been restrained by the city’s confining urban space. Through continual collaboration with global practitioners, they add value to materials and objects, leveraging cultural influences and resources from China, Asia and beyond. The exhibits in Confluence • 20+ are coalescences of cross-boundary interactions and intertwining relationships. Deep inside the crux of every single piece is a community woven across socioeconomic and cultural silos.
Confluence • 20+is a visual feast of creative works showcasing Hong Kong designers’ ingenuity in crossing boundaries: East, West, Heritage, Craftsmanship, Artistry, Urban Living, and Experiential Innovation. It is an exclusive visual adventure into Hong Kong’s vibrant creative ecologies that both insiders and public audience must not miss.
Participating designers: Nicol Boyd & Tomas Rosén, Alan Chan, Samuel Chan, Gary Chang, Lu Lu Cheung & Otto Tang, Chiu Kwong Chiu, C.L. Lam, Freeman Lau, James Law, Lee Chi Wing, Lo Chi Wing, Lo Kai Yin, Lo Sing Chin, Sharon de Lyster, Jesse Mclin & Julie Progin, Elaine Yan Ling Ng, Kingsley Ng, Sammy Or, Stanley Wong.
The Hong Kong Design Center is a government-funded non-profit organization celebrating design excellence. The institution champions the creation of business values and community benefits through design. This latest exhibition series is a homage to Hong Kong’s design heritage roots and will sojourn in Milan, Hong Kong, Seoul and Chicago.
M+’s debut design exhibition – Shifting Objectives: Design from the M+ Collection – explores the many concepts and frameworks that have shaped and broadened our understanding of design. Featuring dozens of key objects and works – from mid-twentieth century Japanese furniture, to familiar products from Hong Kong’s manufacturing heyday, to drones, ‘copied’ goods, and digitally-enabled and open-source practices – this groundbreaking show illustrates how design philosophies and practices have changed from the post-Second World War period until now. In so doing, Shifting Objectives outlines the growing contours of the M+ design collection, which is the first of its kind in Asia and a core pillar of M+.
In the run up to the opening of the M+ building in 2019, the M+ Pavilion functions as a temporary home for M+ exhibitions and events.
